14Jan/17

Are Modern Horror Movies Any Good?

Everyone loves a good horror film. Excessive Tension is a French horror movie that suffers from a common horror film ailment: weak ending syndrome. George Romero practically created the zombie movie style single-handedly in 1968 with Evening of the Dwelling Dead. Critics Consensus: Although its underlying themes are familiar, Home of the Satan successfully sheds the loud and gory cliches of latest horror to ship a tense, slowly building throwback to the fright flicks of decades past.

A lot of this originality needs to be attributed to Clive Barker (producer and writer of the brief story The Forbidden,” which inspired Rose’s screenplay), whose signature is seen in the seductive, supernatural violence of the titular killer in addition to the inversion of typical feminine stereotypes seen in most horror movies.

So yeah, the real-life story of The Amityville Horror is mostly B.S. But that doesn’t mean the unique movie is not a fantastically scary time should you’re prepared to suspend your disbelief. The film, like its spiritual forefather Night of the Living Useless, can be wealthy in political and social subtext, whereas balancing moments of outright terror with passages of just about poetic reflection.

It has been stated that The Cabinet …

23Dec/16

Finest Christmas Horror Films

No Halloween is full without blood-purple candied apples and horror films. But it is usually one of the crucial romantic of the traditional monster movies, with Boris Karloff giving a sincerely affectionate performance as the title monster, who longs to deliver his love again to the 20th century with him. And actually the “actual life” story of a haunted house in Connecticut has been all but disproven and recanted.

(Additionally, we all know it’s all fiction at this level.) However Blair Witch came out in 1999, when the web was in its infancy and could possibly be used as a tool to efficiently persuade audiences that possibly the story of a three-person documentary crew going snipe attempting to find what seems to be pure evil is the truth is actual.

What follows is a humorous, contemporary, and, at occasions, splendidly gory interpretation of the horror style. Tucker and Dale vs. Evil joins a proud custom of current films like Cabin in the Woods that satirize the horror style whereas also presenting a lovingly crafted and properly-researched model of 1.

John Carpenter’s film has itself planted on either aspect of the horror and sci-fi movie strains. Monster motion pictures? For higher …